We’ve updated our Terms of Use to reflect our new entity name and address. You can review the changes here.
We’ve updated our Terms of Use. You can review the changes here.

Steve Connolly & The Usual Suspects

by Steve Connolly & The Usual Suspects

supported by
Nuisance Industry
Nuisance Industry thumbnail
Nuisance Industry Steve Connolly was a brilliant, succinct arranger, the Gordon Lish to Paul Kelly's Raymond Carver. This record shows all his strengths as a writer, guitarist, and singer, and I'm so grateful it's available. Favorite track: Please don't be waiting for me.
/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $20 AUD  or more

     

1.
2.
Over Me 03:34
3.
Painted Lady 04:55
4.
5.
6.
Better days 04:10
7.
8.
9.
10.

about

STEVE CONNOLLY AND THE USUAL SUSPECTS

Steve Connolly’s untimely death in May 1995 robbed the music community of one of Australia’s finest guitarists, songwriters and producers. Released originally in 1999, fours years after his passing, “Steve Connolly and the Usual Suspects” is testament to Connolly’s brilliance as a songwriter and a musician.
Best remembered for his work on lead guitar with Paul Kelly and the Coloured Girls and the Messengers, Steve spun a wide web of musical projects over the course of two decades. Having started out with garage bands Red Shift and The Shards, in 1978 Connolly formed the well-known Melbourne pub act Cuban Heels, whose line-up included Spencer P. Jones (The Johnnys, Beasts of Bourbon). After short stints in Rare Things and The Zimmermen, Connolly teamed up with Paul Kelly on his acclaimed 1985 album “Post”.
Along with drummer Michael Barclay (Weddings, Parties, Anything), bass player Jon Schofield and keyboard player Peter Bull, Connolly was the sound behind some of Kelly’s most acclaimed albums, “Gossip” (1986), “Under the Sun” (1987), “So Much Water So Close to Home” (1989) and “Comedy” (1991). Connolly co-wrote crowd favourites ‘Darling It Hurts’ and ‘Leaving Her for the Last Time’. Connolly’s distinctive solos in “Before Too Long” or “To Her Door” are every bit as memorable as Kelly’s evocative lyrics and sweet melodies.
After the Messengers disbanded in 1991, Connolly blended his rock roots with the folk-Irish sound of Friends And Relations in The Troubles, as well as playing with and producing country rock act Sherry Rich and the Grievous Angels. Connolly also produced albums for the country-rock act Mary Jo Starr, Kev Carmody’s acclaimed “Eulogy for a Black Person”, co-produced and played on Archie Roach’s haunting and ARIA award-winning “Charcoal Lane”.
But the rock bug continued to bite hard. At a time when it seemed everyone else was playing funk or consumed by self-absorbed rock-star angst, Steve went back to his roots, playing simple, unadulterated, no-nonsense rock’n’roll. Enlisting former Divinyls bassist Tim Millikan, former Cuban Heels keyboard player Graeme Lewis on keyboards, and The Sacred Cowboys’ Stephen Fidoc on drums, Connolly formed The Usual Suspects.
Connolly was preparing to mix the 10 tracks The Usual Suspects had recorded tracks at Atlantis studios over October-November 1994 when he fell seriously ill. Connolly’s death a month later, at the tragically young age of 36, had a profound impact on everyone who knew and worked with him. It also strengthen his friends’ resolve to finish The Usual Suspects project.
A year after Connolly’s death, Tim Millikan bravely picked up the pieces and mixed and mastered the album. In the days before email and electronic file transfer, Millikan spent countless hours on the phone and fax and in meetings to finish the album, desperate to makes sure it emerged exactly as Connolly would have wanted it to sound.
The result of four years’ painstaking and sometimes painful effort, banging of heads against brick walls, many favours above and beyond the call of friendship, and several dozen logistical nightmares, Steve Connolly and the Usual Suspects is an essential listen for fans of guitar rock and an album of which Connolly would have been proud.
“Steve had a perfect ear for a song.” Says Paul Kelly. “He was always hearing the song, not just part of it.” “He had an uncanny ear for arrangements,” says Tim Millikan. “He knew what was important in a song. He could pick the hook in a song and hear the piece, finished, in his head. That’s why his songs were so good, simple but effective.”
Missing from music shops for a quarter of a century, a limited quantity of physical copies of Connolly’s posthumous solo album, Steve Connolly and the Usual Suspects. were found recently in the spare bedroom of his mother Jo’s house.
Here are Steve’s songs. Hope you like them.
Jo, Keith, Rohan, Linda, & Sharon Connolly

If you’d prefer a physical product
The Steve Connolly & The Usual Suspects CD is now available for purchase for $19.95 at the following music retailers in Melbourne, Australia

Greville Records - Prahan
Rocksteady Records - Melbourne CBD

Further enquiries:
Paul Elliott dr.gonzo.esq@gmail.com

credits

released April 8, 2018

Steve Connolly - Guitar/Vocals
Tim Millikan - Bass/Backing Vocals
Stephan Fidock - Drums/Percussion
Graeme Lewis - Piano/Hammond
Dee Hannan - Hammond (Leaving her for the Last Time.) & backing vocals (Please don't be waiting for me.)

Thanks to Dave McCluney, Jim Nicolaides, Craig Williamson & Darren Graham of Atlantis Studio

The Connolly Family want's to thank Tim Millikan, for the huge amount of work he's done to complete this album. Thanks also to Paul Kelly, for his invaluable advice and support, and all those who contributed to it's completion.

And thanks to Patrick Emery for editing the online text.

license

all rights reserved

tags

about

Steve Connolly & The Usual Suspects Melbourne, Australia

contact / help

Contact Steve Connolly & The Usual Suspects

Streaming and
Download help

Report this album or account

If you like Steve Connolly & The Usual Suspects, you may also like: